6 tips for embracing low-light and high ISO photos

  • using artificial light in low light photography by Megan Dill

6 tips for embracing low-light and high ISO photos

Winter.

If you’re like me, you work a long day out of the home, departing as the sun is coming up and returning after sundown.  You would think that this would impose extreme limits on your ability to take meaningful daily photographs.  I beg to differ—winter is a wonderful time to push yourself creatively by pushing your camera to extremes by cranking up your ISO!

ISO is one third of the exposure triangle, which is also comprised of aperture and shutter speed.  The selected ISO speed determines how sensitive the camera sensor is to incoming light.  Doubling the ISO speed doubles the camera’s sensitivity to light.  Therefore, increasing the ISO a full stop from 800 to 1600 requires stopping down the aperture by a stop in order to create an equivalent exposure, granted shutter speed remains constant.  However, increasing ISO comes with a bit of baggage: added noise.  To many digital shooters, this is an undesirable trait as it muddies up the photograph.

To minimize the amount of digital noise in a scene, set the ISO to the lowest value to obtain a correct exposure.  My strategy when shooting in low light settings begins with setting the desired aperture and shutter speed based on the available light in the scene, and then setting the necessary ISO after spot-metering my subject using the Zone System.  Oftentimes a high ISO value is inevitable to (1) obtain a correct exposure, (2) get the intended subject(s) in focus, and (3) avoid unwanted motion blur in the subject.

Here are a few pointers on shooting in low light scenes with their requisite high ISO settings:

  1. Shoot at the widest aperture that makes sense for the scene.
  2. My go-to lenses for low-light work indoors are my 35mm 1.4L and 50mm 1.4.  A fast lens affords much more latitude, allowing more light to hit the sensor at the widest apertures.  It’s like having a head start in a race.
  3. Choose the aperture that is appropriate for the scene—do you want a shallow or large depth of field?  Let the ISO speed fall into place after choosing your aperture and shutter speed.
low light street photography by Megan Dill

ISO 6400, f/9.0, 1/6 (camera propped on chair)

low light photography by Megan Dill

ISO 2000, f/2.8, 1/160 (handheld)

1. Choose a slower shutter speed

Sometimes shutter speed will trump aperture when choosing your camera settings.  A slower shutter speed increases the amount of light hitting the sensor.  Select the lowest shutter speed to avoid motion blur in your subject, if the goal is to shoot a sharp image.   Oftentimes this is on the order of 1/125; higher for longer lenses (or for those with shaky hands like me!).  I use this shutter speed as a baseline and pull out the tripod or set my camera on a trusted, flat surface if I need to go lower.

Slower shutter speeds can be used for photographs incorporating motion blur.  You may choose to implement motion blur in your subject or in the surroundings, depending on your vision.  I find that creating blur in the subject itself can be very effective in generating a mysterious vibe in low-light photography because it prevents the viewer from clearly seeing the subject.  Plus, it’s fun!

slow shutter speed in low light photography by Megan Dill

ISO 1600, f/3.2, 1/160 (tripod)

2. Utilize manual focus

Explore manual focus with your camera, which will broaden your creative gamut.  Blurred focus can give your photographs an abstract look, and also veil the subject in secrecy.

If you don’t want to use manual focus when shooting in low-light settings, use a flashlight.  Shine the flashlight on your subject, and then set the focus.  Then turn off your flashlight and set the exposure.  This technique is helpful when your camera can’t detect enough contrast in the selected focus point, and just “hunts”.

low light still photography by Megan Dill

ISO 6400, f/2.8, 1/100 (handheld)

3. Use artificial light sources

Flashlights and iPads are a fantastic resource that can add a whole new dimension to your work—and assist in providing more available light to your scene.  If you have an iPad, check out the Softbox Pro app.  Artificial light sources are also great for those with limited ISO capabilities.  My Rebel xTi had a maximum ISO of 1600 compared to 25,600 on my 5D Mark III.  The Rebel obviously has limitations in low-light situations.  Artificial light sources can provide more leeway.

low light high iso photography tutorial by Megan Dill

ISO 3200, f/2.2, 1/60 (camera on floor)

using artificial light in low light photography by Megan Dill

ISO 1600, f/1.8, 1/200 (handheld)

4. Embrace shadows

Subjects shrouded in shadows generate a sense of intrigue.  So is the case when the subject itself is a shadow or silhouette.  Explore directional light such as side and split lighting.  However, be aware that noise likes to hide in the shadows.  Meter for your subject, and err on the side of overexposure.  Expose to the right as far as you can without clipping highlights.  You can always bring down the exposure in post-processing, particularly if you shoot in RAW which carries much more detail than a jpeg.  Increasing exposure in an underexposed image will generally result in more noise.  Strive to nail your exposure in-camera, chimping as needed.

And dare I say it: embrace shadow clipping.  If the clipped detail is not important to the image and it meets your artistic vision, don’t worry about it.   I oftentimes clip the unimportant shadows purposely.  However, unless working with a silhouette, try to avoid clipping on the skin.

high iso photography by Megan Dill

ISO 2000, f/2.0, 1/160 (tripod)

high iso photography tips by Megan Dill

ISO 2500, f/1.4, 1/800 (handheld)

5. Consider a black and white conversion

Winter is the dreariest time of year, after all.  Experiment with moody edits.  Play around with the tone curve sliders and also the blacks slider in Lightroom, particularly if you opt for a black and white conversion.  Embrace the shadows slider.  I oftentimes push this as far to the left as I can go before detail is lost in the things that I deem important in the image.  If you are editing in Photoshop, use a curves layer set to multiply and using masking and adjust opacity as needed.  The burn tool is also very useful.

low light black and white photography by Megan Dill

ISO 2500, f/1.6, 1/100 (handheld)

black and white low light and high iso photography by Megan Dill

ISO 6400, f/4.0, 1/60 (tripod)

6. Use noise as an artistic tool

Noise isn’t always undesirable.  Street photography, urban locations, or scenes with a lot of rough texture are a natural fit for noisy photographs.  Noise can also be used to give your everyday photographs a grainy, film-like appearance.  Experiment with noise by leaving it in or even enhancing it through the noise reduction panel in Lightroom.

low light and grainy photography by Megan Dill

ISO 2500, f/3.5, 1/160 (handheld)

noise and grain in high iso photographs by Megan Dill

ISO 5000, f/2.0, 1/125 (handheld)

Can’t figure out what to photograph after your children have gone to bed?  Try self-portraits, macro, and still life scenes.  If attempting a self-portrait and you are a bit uncomfortable doing so, try concealing some of your features with shadows.  Artificial light sources can accomplish this.

self portrait by Megan Dill

ISO 3200, f/2.0, 1/125 (tripod)

You can also sneak into your children’s rooms with a flashlight and capture them in their slumbering glory.  Don’t let lack of natural light become an obstacle in picking up your camera.

low light child sleeping photograph by Megan Dill

ISO 3200, f/1.6, 1/125 (handheld)

Finally, take a moment to envision what you want to convey before setting hands on your camera.  Brainstorm ideas throughout the day, and execute when dark.  You may come to love low-light photography and utilizing high ISO settings on your camera.

Save

About the Author:

Megan is a hobbyist photographer based in the lower Hudson Valley of New York where she lives with her musician husband and two young sons. She enjoys playing with light and shadow to create evocative images, and gravitates towards moody black and white processing in her work. Megan is a Canon shooter and uses an assortment of prime lenses, and also frequently turns to her Fuji X mirrorless system which includes several native and adapted lenses. Visit Megan Dill online.
FOLLOW :

26 Comments

  1. jessican Jan 04 2013 at 11:45 am - Reply

    This is a great article with some wonderful tips. Perfect timing for me for this month!

  2. mommaceleste (Celeste Pav) Jan 04 2013 at 11:53 am - Reply

    I love your work Megan, it’s always so mysterious and intriguing! Thank you for sharing your tips!

  3. Liz Godfrey Jan 04 2013 at 12:11 pm - Reply

    Really enjoyed this article and can’t wait to explore this side of photography. I’m a newbie – just have a question about spot metering using the Zone system that was mentioned. Please can someone explain what the Zone system is. Maybe I actually know but not sure as I haven’t heard that term before. I just learned about spot metering on a subjects skin but just wanted to understand clearly about “Zone System” term. Thanks!

    • Megan Jan 04 2013 at 8:55 pm - Reply

      Hi Liz! When you spot meter on the subject’s skin, you are using the Zone System. The Zone System is a way to obtain a correct exposure by metering for a specific tone in the image. Many portrait photographers utilize this method for their subjects, who (for Caucasians) typically fall in Zone 6 (equivalent to +1 on your camera meter). Do you belong to the Clickin Moms forums? There is plenty of information inside 🙂

  4. Sarah Jan 04 2013 at 12:11 pm - Reply

    Lovely photography! These tips are so awesome- I’m going to try a few of them, especially since I’ve decided to do the 365 this year.

  5. Holly Thompson Jan 04 2013 at 12:17 pm - Reply

    Wonderful article, Megan! There are some great tips here. I absolutely love shooting night and low light, but haven’t done it in a while… you’ve totally inspired me! <3

  6. Lisa Benemelis Jan 04 2013 at 12:28 pm - Reply

    This is a wonderful article, Megan. Thank you for all the great tips and beautiful examples. <3

  7. Angie Fix Ortiz Jan 04 2013 at 12:53 pm - Reply

    Great article! Thanks for sharing.

  8. Amy W Jan 04 2013 at 2:18 pm - Reply

    I love the way you’re always pushing the boundaries Megan. Great article!

  9. Melissa Jan 04 2013 at 2:31 pm - Reply

    Fantastic article, Megan!! I’m going to need to try these tips out very soon! Thanks for the lovely examples, too. My most favorite shot from you…. your boy with the Tinkertoy. LOVE!!!

  10. Leah Cook Jan 04 2013 at 4:20 pm - Reply

    I just adore your low-light work, Megan. wonderful post.

  11. Lisa (Tout Petit Pixel) Jan 04 2013 at 4:36 pm - Reply

    This is brilliant Megan. I feel so inspired!

  12. Julie Anders Jan 04 2013 at 5:52 pm - Reply

    Great article Megan!!

  13. Karen Porter Jan 05 2013 at 10:09 am - Reply

    Wonderful article, Megan. Your images are stunning and I am inspired to try some out!

  14. Allison Jacobs Jan 05 2013 at 10:58 am - Reply

    Great article Megan!

  15. Joanna Jan 06 2013 at 12:57 am - Reply

    Great blog post! I’m going to utilize some of these ideas for sure.

  16. Bobbi-Jo Jan 06 2013 at 12:52 pm - Reply

    Great article! I have been practicing shooting at home in low light more – perfect tips!

  17. jodi Jan 07 2013 at 12:55 pm - Reply

    great article, megan! i am still trying to feel more comfortable shooting in low light situations… after reading this, i think i’m going to play around with flashlights and other artificial sources a little more. perfect for this drearier time of year. thanks!

  18. Tricia Jan 09 2013 at 1:45 pm - Reply

    What a wonderful post! This was just the kind of push I needed to embrace the darkness and keep trying to shoot every day during the months it feels like I don’t see the sun long enough!

  19. Taryn Boyd Jan 10 2013 at 11:05 pm - Reply

    awesome read. thank you!

  20. Aimee Jan 15 2013 at 12:54 pm - Reply

    Thanks for sharing these tips!:) So many photographers are closed up and how are you ever going to learn if someone doesn’t mentor you?:) I’ve had to learn a lot by myself and searching on the net. Thanks again to help others get more inspired by something they love!

  21. Anne Jan 23 2013 at 5:10 pm - Reply

    Such great tips! Thank you, Megan!

  22. Angela Feb 27 2013 at 1:23 pm - Reply

    I found this incredibly helpful and just wanted to say that I appreciate your time in writing this for us!

  23. Jenny Jun 27 2013 at 4:07 pm - Reply

    Love this tutorial!

  24. Kristey Fritz-Martin Mar 17 2015 at 12:20 am - Reply

    Brilliant Megan! Thanks for sharing!

  25. Deborah Lott Nov 08 2017 at 12:17 pm - Reply

    Can anyone help me. I am photographing q&a sessions in front of a cinema screen. The lighting is very low (house lights) and there is movement where the guests are speaking to the audience. I cant use flash and my lens only go to F4.5. I just cant seem to get the right exposure and shot sharpness.. any tips out there? ( shooting at ISO 6400 was a disaster and not the way forward!)

Leave A Comment

Follow

Follow this blog

Email address