As a photographer, you hear a lot about how important it is to know how to see the light. This is absolutely, 100% true!
Much of my photography journey can be marked by how I use the light. I went through a phase of flat, even window lighting with beautiful big catchlights followed by portraits with 45 degree window lighting, then backlighting, and finally, dramatic lighting. One of the very first things I learned was to avoid dappled lighting. For a good two or three years, I avoided uneven lighting and direct sunlight at any cost. I would drape sheer curtains over my windows to diffuse the sun, I’d shoot in open shade, I’d backlight. Back in August, however, I moved to a new place and my move also coincided with the opportunity to do a photoshoot with the amazing Sarah Vaughn. And the way she used light… it was incredible and like nothing I had ever tried before! Instead of shying away from the direct sun or uneven lighting, she’d find the patches of even light and use the uneven light around it to add interest in the shadow patterns. Ever since then, I have been keeping my eye out for the interplay of light and shadows.(…)