The reflection of light can be characterized in one of two ways. Put simply, when light hits a rough or heterogeneous surface, the light scatters back in many directions as a diffused reflection. When, on the other hand, light strikes a smooth, homogenous surface, it is reflected back in a single direction as an image; this is called a specular reflection, and it’s the mirroring effect we see against glass, water, metal, and other highly polished or glossy surfaces. Early mirrors, in fact, were manufactured from polished obsidian, copper, bronze, copper, and tin.(…)
Rhythm, a critical component of music, dance, and poetry, is also a quality of great significance in the visual arts. Rhythm may affect the quality of the viewing experience for your audience and help to draw and keep the eye within the frame. Pattern can be thought of a subset of rhythm in that patterns always have rhythm, but rhythms don’t always have pattern.
*image by MeredithA
Let’s take a look at a variety of rhythms in the visual arts and the(…)
This month, we’re going to experiment with exposures that are significantly deeper than you’d normally select. Be adventurous and bold. Go beyond your comfort zone. Take what you know of “proper” exposure, and go deeper … not a third of a stop or even a full stop — but a couple of stops. See what happens! Shift your “Zones” or push your histogram towards the left. How does it affect the mood? Do you notice any new details in the(…)
This month, try shooting from the hip. It will alter your perspective as an artist, requiring you to see the scene beyond the viewfinder; while you won’t be able to compose as deliberately, you may discover this shift in perspective and artistic freedom bring some wonderful new qualities to your images. It will also change the dynamic with your subjects in that you can connect face-to-face during shooting — or go completely the opposite way and shoot totally inconspicuously. With(…)
This month, let’s focus on creating depth in photographs by shooting images that incorporate a minimum of three distinct planes: foreground, midground, and background. Does it seem simple? It can be, but there are a number of ways you can approach this for particularly captivating results. Consider the following tips (and combinations thereof!):
*image courtesy Jennifer Nobriga ‘jennifer123′
1. Shoot Wide Open
Set your aperture to a low f/stop. As most photographers know, this very shallow depth of field powerfully separates the subject(…)
Beach photography: Splashing children laughing in the waves. Couples kissing surrounded by nothing but white sand, deep blue sky and turquoise sea. It should be the perfect recipe for dreamy photos, except for one thing. Most often, beach photography equals full, unforgiving, unfiltered sunlight. For many photographers, this can be a scary proposition. Most natural light photographers prefer a session of softly lit fields or open shade, for good reason. But though tricky, full sun comes with its own rewards.(…)
In January 2012, Clickin Moms posted our first “Day in the Life” photo essay featuring CMpro Sara Seeton. The response was so wonderful that we turned the concept into a regular blog series and Click magazine feature and have since enjoyed over two dozen glimpses into the days of our favorite photographers. Now we are challenging you to join in!
*images by Alana Rasbach
This month, let’s see a day in YOUR life!
In addition to yielding a meaningful collection of memories, the(…)
This month, I’d like to challenge you to include your significant other in the frame. I understand that many spouses (mine included!) may resist your efforts a bit. However, you don’t necessarily need him to pose for you, and perhaps he just doesn’t realize how important it is to you (and will one day be to your children) to have a visual record of his presence, the way he looks, and the way he loves his family… so talk to(…)
This month, we’re going to shoot images at ISO 3200 or higher. If your camera doesn’t go up to ISO 3200, then shoot at the highest ISO available. If your camera happens to handle high ISO remarkably well (I’m talking to you, fellow D4 owners), embrace the spirit of the exercise and push yourself outside of the comfort zone with ISO 6400, 12800, and beyond. And remember – high ISO doesn’t have to be confined to low light work; set(…)
This month, we’ll focus on photographing the immensity of the world around us. Think about emphasizing the height, breadth, or depth of the environment and the elements therein. In many cases, this means shooting landscapes, cityscapes, or other wide angle approaches to nature or architecture.
*image by Megan Dill
Let’s take big world shooting a step further. Once you identify the scope of the environment you’ll be shooting, find a way to enhance the enormity of that environment by incorporating a person(…)