Fine art photographer and Click Away presenter Cole Thompson has always preferred black-and-white; it’s how he “sees” as an artist. This summer, Cole shared his vision with Click Magazine (“Vision Quest,” July-August issue) and generously added some advice on creating your own high-impact black-and-white images. – Susan Brinkley
There’s all the difference in the world between a black-and-white image created in the camera or simply de-saturated, and an image that you’ve planned and processed as a black-and-white expression of your art.
First, there’s the way you evaluate a scene. Without color to capture the viewer’s attention, you have to focus more on composition, lines, contrast, simplicity and mood. Then there’s the way you capture the image. If you put your camera in Monochrome mode and let it do the work for you, all you’ll achieve is an absence of color. To have real artistic impact, the conversion from color to b&w has to be guided by your vision.
I use Monochrome mode to help me visualize the scene in black-and-white. I shoot in RAW mode so the image is recorded in color and I can convert it myself.
The first image is the color shot as captured in my camera.
The second image is the scene shot in color and de-saturated in Photoshop.
And here’s the color image converted to b&w using my knowledge of the original scene, my technical skills, and most importantly my vision:
Making better black-and-white images
- Put your camera into RAW and Monochrome mode. Monochrome to help you evaluate the scene, and RAW to capture the image in color.
- Convert the image to b&w yourself and learn how colors translate into shades of grey.
- Experiment with changing the colors into different shades of grey.
- Purchase a pen and tablet and learn how to dodge and burn, to emphasize details and de-emphasize others.
- Find your vision and follow it.
- Do not seek to “take a picture” but rather “create an image.”
- Create for yourself and not to win awards, sales or accolades. This is how you will produce your best work.
- Do not ask others about your work. What do you think of it? That’s all that matters.
I have a pretty minimalistic kit and I always have it with me. I use the Canon 5D with a 16-35, 24-105 and 100-400 lenses. I have a full set of 82mm neutral density filters that fit all of my lenses and I also have a polarizer. I always have my tripod and remote shutter release with me and I religiously use a Hoodman HoodLoupe and eyecup. That’s pretty much it! I try to keep things simple and I don’t like having a lot of gadgets that can distract or break.